Even for a fan who donated to the cause, the effort required to watch crowd-funded “Veronica Mars” on its opening day was just maybe above-and-beyond, thanks to Warner Bros.
The network behind cult hits like “Gossip Girl” and “Supernatural” has launched a new platform for digital-only properties, creating a new opportunity for exploring what works and what doesn’t online.
Fans of edgy animated fare just got a few more reasons to binge as Netflix has started to add cult classics from Adult Swim and Cartoon Network to its catalog.
Veronica Mars is coming back, thanks to Kickstarter: A crowdsourced fundraising campaign to make a Veronica Mars movie has hit its $2 million goal in just 10 hours.
Deal brings the Aaron Sorkin-penned political drama The West Wing and the Fox sci-fi/fantasy series Fringe exclusively to members of Amazon’s Prime Instant Video service, as well as purchasers of its Kindle Fire tablet
DVD sales may not be what they were, but the road to Hollywood riches still goes through Walmart’s Bentonville, Ark. headquarters. Fortunately, to see a demo of the retailer’s new UltraViolet cloud service, we only had to drive to Rosemead, Calif.
How bad are things for Hollywood’s UltraViolet initiative right now? So bad that Warner Bros., the studio behind Harry Potter and the Deathly Hallows, Part 2, is giving away coupon codes for the movie to Apple’s iTunes store to placate unhappy customers.
The next step in Hollywood’s effort to educate consumers about its UltraViolet digital rights locker came from Warner Bros., which is taking to Twitter with a promoted trend aimed at getting Harry Potter fans excited about streaming the title to their computers and other devices.
AnyClip is adding another Hollywood studio to its list of content partners, with clips from Warner Bros. films now available. It’s also bolstering monetization opportunities from those clips, by enabling viewers to purchase full-length films directly through its proprietary video player.
Hollywood’s UltraViolet cloud locker service is finding some new friends in unlikely places: A German blogger reported that he was able to access the site with a coupon code he bought on eBay. The big problem: Codes trade for far less than studios would like.
Last Tuesday marked the premiere of two very different web series — a teen-skewing action comedy produced by a major studio and an independent sci-fi thriller — with one major similarity: They both chose to debut exclusively on Facebook. Could this be the new normal for web content?
Comedy Central heavily promoted its Roast of Charlie Sheen on Twitter, and it looks like the bet may have paid off: Twitter users commented more than twice as much about the roast than about the season debut of his former show Two and a Half Men.
The release of a short film set in the universe of Valve Software’s popular Portal video game series has people excited over the possibility that director Dan Trachtenberg could bring his vision to a full-length version. But is such a move really likely?
The entertainment industry has its eyes set on Facebook, hoping that the site will help to sell VOD rentals for Hollywood blockbusters like The Dark Knight and indie flicks alike. However, history teaches us that social networks can’t help you sell stuff that no one wants.
Warner Bros. is buying Flixster, and it plans to turn the site into a VOD service tied to the UltraViolet cloud DRM scheme. Part of the deal is also the movie reviews site Rotten Tomatoes. The studio promises that Rotten Tomatoes will continue to be independent.
The controversial file hoster RapidShare has taken a first step towards entering the digital content business: The company launched a download store for video games last week, and it is promising its end users to enable the sale of any kind of file soon.
Surprise! New video rental service Zediva is being taken to court for copyright infringement. The MPAA filed suit Monday on behalf of six Hollywood studios, claiming that Zediva illegally streams their films over the Internet without licensing the content from rights holders.
Warner Bros. made another four titles available for rental on Facebook. But if the social network is going to compete with iTunes or Amazon in the online VOD market, it’s going to need to make changes to the way movies are discovered and paid for.
This spring, there will be a new edition of the Mortal Kombat video game and an accompanying web series directed by Kevin Tancharoen. Kombat‘s adaptation into a web series, though, is less a story of corporate synergy and more a tale of happenstance.
Facebook is a top-10 video destination site, due to the sharing of videos between friends. But can the social network leverage its global audience for video rentals? Warner Bros. will be the first studio to find out, renting The Dark Knight for $3 on Facebook.
We’ve long been skeptics of 3-D technology, due in part to the premium placed on 3D TV sets and lack of consumer interest. But one Warner Bros. exec tells us that the move to 3D TV is inevitable, and soon all TVs sold will be 3D-capable.
Today on the Net: Netflix’s average revenue per subscriber continues to decline as it pushes the $8.99 per month plan, Disney and Warner Bros. won a $400,000 judgment against an advertiser on a pirate site and startup VYou enables users to create a video conversation.
Apple is hoping that $0.99 TV show rentals will kick-start the sale of its Apple TV device, but Warner Bros. Chairman Barry Meyer isn’t having any of it. He simply thinks that those cheap rentals are underpriced, which is why his company stays away from them.
Netflix has been on a roll lately due to its Watch Instantly streaming service, which has helped drive subscriptions to the rental service ever-higher. And it continues to push the service, announcing today that it has added even more streaming video titles from Warner Bros.
[show=ghostfacers size=large]Watching Ghostfacers, a new WB TV (s WB) series spun off from the long-running supernatural series Supernatural, I am struck, once…
Hollywood studios together with cable operators launched an ad campaign today aimed at educating consumers about on-demand video rentals available directly through…
Movieclips.com, the online video site for distributing short-form clips of Hollywood movies, has expanded the availability of its library, opening up the…
RapidShare.com, the controversial one-click file hoster, is working on a movie site with plans to eventually include paid downloads of major Hollywood…
The creation of original content underpins the web-video industry, but the market has exploded too quickly for copyright laws to react. Technology and content companies have necessarily developed interim approaches to monitoring, regulating, spreading and monetizing content online. Rarely have these stakeholders had a chance to sit down to talk to one another constructively about where these activities are headed. On Wednesday morning, NewTeeVee hosted this month’s Bunker Series event here at GigaOM’s San Francisco office to enable industry players to do just that. Attendees included content owners, video sites and copyright service providers, such as Ethan Applen, director of technology and business strategy, Warner Bros.; Betsy Zedek, counsel, content protection, Fox Group Legal; David King, senior product manager of Content ID, YouTube; Michael Seibel, CEO, Justin.tv; and Yangbin Wang, CEO, Vobile. In this post, you’ll find the livestream, along with live coverage and links to exclusive video and post-game analysis.
Thriller Gets 28M Views Since Jackson’s Death; copies of the groundbreaking music video rack up the playcounts, according to Visible Measures. (company…
Somewhere between standard cartoon strips and full-blown animated work lies what’s known as the “motion comic.” This emerging style of entertainment is…