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	<title>Comments on: Strike Sequel? Actors Guilds Begin Talks</title>
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		<title>By: Chris Albrecht</title>
		<link>http://gigaom.com/video/strike-sequel-actors-guilds-begin-talks/#comment-456732</link>
		<dc:creator><![CDATA[Chris Albrecht]]></dc:creator>
		<pubDate>Mon, 31 Mar 2008 21:44:43 +0000</pubDate>
		<guid isPermaLink="false">http://newteevee.com/?p=3591#comment-456732</guid>
		<description><![CDATA[&lt;p&gt;@Bacon
I want web video to succeed! It pays my bills.&lt;/p&gt;

&lt;p&gt;@T.Barnes
When I spoke with SAG last year I brought up the Will Ferrell conundrum, they didn&#039;t really have an answer for that.&lt;/p&gt;
]]></description>
		<content:encoded><![CDATA[<p>@Bacon<br />
I want web video to succeed! It pays my bills.</p>
<p>@T.Barnes<br />
When I spoke with SAG last year I brought up the Will Ferrell conundrum, they didn&#8217;t really have an answer for that.</p>
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		<title>By: T. Barnes</title>
		<link>http://gigaom.com/video/strike-sequel-actors-guilds-begin-talks/#comment-456731</link>
		<dc:creator><![CDATA[T. Barnes]]></dc:creator>
		<pubDate>Mon, 31 Mar 2008 18:26:02 +0000</pubDate>
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		<description><![CDATA[&lt;p&gt;Chris, great analysis here.  I&#039;m a member of SAG and AFTRA. As a citizen journalist I did a daily podcast from the writers picket line.  (Shameless plug: it&#039;s called The Writers Strike Chronicles and it&#039;s available in iTunes.)&lt;/p&gt;

&lt;p&gt;As the strike dragged on, there seemed to be a lot of enthusiasm from the writers when they realized they could go around the studios and create their own content on the web.  Hence they met with VC&#039;s, as you said.&lt;/p&gt;

&lt;p&gt;FWIW, &quot;Funny or Die&quot; which raised $15 million from Sequioa Capital -- I read it on &lt;a href=&quot;http://newteevee.com/2007/12/20/funny-or-die-raises-15m/&quot; rel=&quot;nofollow&quot;&gt;here on New Tee Vee first&lt;/a&gt; -- is not a SAG signatory, although Will Ferrell is a member in good standing and currently has a movie out in release that was filmed under SAG jurisdiction.&lt;/p&gt;

&lt;p&gt;Since new media studios fails to seek out union talent, I wonder how unions can serve their members in this digital age? I mean if anyone can be a star on the Internet, then does the medium make the entertainment labor organizations (and perhaps Big Media) a zombie?&lt;/p&gt;
]]></description>
		<content:encoded><![CDATA[<p>Chris, great analysis here.  I&#8217;m a member of SAG and AFTRA. As a citizen journalist I did a daily podcast from the writers picket line.  (Shameless plug: it&#8217;s called The Writers Strike Chronicles and it&#8217;s available in iTunes.)</p>
<p>As the strike dragged on, there seemed to be a lot of enthusiasm from the writers when they realized they could go around the studios and create their own content on the web.  Hence they met with VC&#8217;s, as you said.</p>
<p>FWIW, &#8220;Funny or Die&#8221; which raised $15 million from Sequioa Capital &#8212; I read it on <a href="http://newteevee.com/2007/12/20/funny-or-die-raises-15m/" rel="nofollow">here on New Tee Vee first</a> &#8212; is not a SAG signatory, although Will Ferrell is a member in good standing and currently has a movie out in release that was filmed under SAG jurisdiction.</p>
<p>Since new media studios fails to seek out union talent, I wonder how unions can serve their members in this digital age? I mean if anyone can be a star on the Internet, then does the medium make the entertainment labor organizations (and perhaps Big Media) a zombie?</p>
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		<title>By: Thomas Bacon</title>
		<link>http://gigaom.com/video/strike-sequel-actors-guilds-begin-talks/#comment-456730</link>
		<dc:creator><![CDATA[Thomas Bacon]]></dc:creator>
		<pubDate>Mon, 31 Mar 2008 18:18:53 +0000</pubDate>
		<guid isPermaLink="false">http://newteevee.com/?p=3591#comment-456730</guid>
		<description><![CDATA[&lt;p&gt;Chris, I think you&#039;re a little short-sighted about the impact that the WGA strike had on internet tv. The ComScore stats from Nov.07-Feb.08 were to be expected. Consider the bigger picture:  It&#039;s WAY too early to tell if the 100 day strike was a tipping point for online video.  I bet down the road we&#039;ll look back on this time period as when the mainstream media began reporting the existence of web shows and introduced the possibilities of the exciting new medium. Maybe it wasn&#039;t a tipping point. But at the very least, it was a considerable bump in general awareness.&lt;/p&gt;

&lt;p&gt;By the way, many thanks to you and all the folks at NewTeeVee. Your content is great.&lt;/p&gt;
]]></description>
		<content:encoded><![CDATA[<p>Chris, I think you&#8217;re a little short-sighted about the impact that the WGA strike had on internet tv. The ComScore stats from Nov.07-Feb.08 were to be expected. Consider the bigger picture:  It&#8217;s WAY too early to tell if the 100 day strike was a tipping point for online video.  I bet down the road we&#8217;ll look back on this time period as when the mainstream media began reporting the existence of web shows and introduced the possibilities of the exciting new medium. Maybe it wasn&#8217;t a tipping point. But at the very least, it was a considerable bump in general awareness.</p>
<p>By the way, many thanks to you and all the folks at NewTeeVee. Your content is great.</p>
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