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	<title>Comments on: Is There Life Left in The Remnants?</title>
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		<title>By: FanTrust &#187; Blog Archive &#187; Paid Distribution Becomes a Mainstay of Web Series [NewTeeVee]</title>
		<link>http://gigaom.com/video/is-there-life-left-in-the-remnants/#comment-467293</link>
		<dc:creator><![CDATA[FanTrust &#187; Blog Archive &#187; Paid Distribution Becomes a Mainstay of Web Series [NewTeeVee]]]></dc:creator>
		<pubDate>Tue, 27 Jan 2009 17:27:45 +0000</pubDate>
		<guid isPermaLink="false">http://newteevee.com/?p=16605#comment-467293</guid>
		<description><![CDATA[&lt;p&gt;[...] promotion are recurring conundrums in online video, as we saw (most recently) on Friday, when we took a close look at John August’s pilot for The Remnants on Friday, which without a sponsor and a logistical [...]&lt;/p&gt;
]]></description>
		<content:encoded><![CDATA[<p>[...] promotion are recurring conundrums in online video, as we saw (most recently) on Friday, when we took a close look at John August’s pilot for The Remnants on Friday, which without a sponsor and a logistical [...]</p>
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		<title>By: Paid Distribution Becomes a Mainstay of Web Series &#171; NewTeeVee</title>
		<link>http://gigaom.com/video/is-there-life-left-in-the-remnants/#comment-467292</link>
		<dc:creator><![CDATA[Paid Distribution Becomes a Mainstay of Web Series &#171; NewTeeVee]]></dc:creator>
		<pubDate>Tue, 27 Jan 2009 05:00:18 +0000</pubDate>
		<guid isPermaLink="false">http://newteevee.com/?p=16605#comment-467292</guid>
		<description><![CDATA[&lt;p&gt;[...] promotion are recurring conundrums in online video, as we saw (most recently) on Friday, when we took a close look at John August&#8217;s pilot for The Remnants on Friday, which without a sponsor and a logistical [...]&lt;/p&gt;
]]></description>
		<content:encoded><![CDATA[<p>[...] promotion are recurring conundrums in online video, as we saw (most recently) on Friday, when we took a close look at John August&#8217;s pilot for The Remnants on Friday, which without a sponsor and a logistical [...]</p>
]]></content:encoded>
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		<title>By: Clay Nichols</title>
		<link>http://gigaom.com/video/is-there-life-left-in-the-remnants/#comment-467291</link>
		<dc:creator><![CDATA[Clay Nichols]]></dc:creator>
		<pubDate>Sat, 24 Jan 2009 17:49:00 +0000</pubDate>
		<guid isPermaLink="false">http://newteevee.com/?p=16605#comment-467291</guid>
		<description><![CDATA[&lt;p&gt;I agree with gstrompolos that there are dangers in creating content for the web that competes directly with  old TV.  IMHO, a concept has the greatest likelihood for monetization is it is created for a demographic that is too niche to be served by broadcast, yet associated with a particular set of potential advertisers.  The content has to be created at a bare-bones but pro level.  Then an interactive community has to be built around the content.  Remnants is an amazing series -- way better than what we do at DadLabs, but tougher to monetize on the web.&lt;/p&gt;

&lt;p&gt;DadLabs followed the strategy above, and we now have a sponsor through June -- Baby Bjorn.  It&#039;s enough to pay the rent on our crappy studio and salary a full time staff of 7.  As pointed out above, we are limited by our &quot;short term&quot; strategy of complete brand/product integration -- our over 350 episodes would be very difficult to repackage and sell to another sponsor, but the lights are on for another 5 months.  Which is pretty good in this &quot;industry&quot;and in this environment.&lt;/p&gt;

&lt;p&gt;What happens after June? Well, we&#039;ve got a book coming out.  And a lots of doors to knock on.&lt;/p&gt;
]]></description>
		<content:encoded><![CDATA[<p>I agree with gstrompolos that there are dangers in creating content for the web that competes directly with  old TV.  IMHO, a concept has the greatest likelihood for monetization is it is created for a demographic that is too niche to be served by broadcast, yet associated with a particular set of potential advertisers.  The content has to be created at a bare-bones but pro level.  Then an interactive community has to be built around the content.  Remnants is an amazing series &#8212; way better than what we do at DadLabs, but tougher to monetize on the web.</p>
<p>DadLabs followed the strategy above, and we now have a sponsor through June &#8212; Baby Bjorn.  It&#8217;s enough to pay the rent on our crappy studio and salary a full time staff of 7.  As pointed out above, we are limited by our &#8220;short term&#8221; strategy of complete brand/product integration &#8212; our over 350 episodes would be very difficult to repackage and sell to another sponsor, but the lights are on for another 5 months.  Which is pretty good in this &#8220;industry&#8221;and in this environment.</p>
<p>What happens after June? Well, we&#8217;ve got a book coming out.  And a lots of doors to knock on.</p>
]]></content:encoded>
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		<title>By: Numbers</title>
		<link>http://gigaom.com/video/is-there-life-left-in-the-remnants/#comment-467290</link>
		<dc:creator><![CDATA[Numbers]]></dc:creator>
		<pubDate>Sat, 24 Jan 2009 04:48:05 +0000</pubDate>
		<guid isPermaLink="false">http://newteevee.com/?p=16605#comment-467290</guid>
		<description><![CDATA[&lt;p&gt;I personally think the main problem with most web series, including the Remnants, is they fail to take advantage of the unique capabilities of the medium -- They all attempt to emulate the TV experience and bring nothing new to the table. The Remnants is no different... albeit John August is a fine writer and the pilot was entertaining, with a concept that had potential if it were to be aired on broadcast TV, but in the world of web tv, I didn&#039;t find anything especially unique about it -- except that it was well written, with decent actors, so what? -- so since we set the bar pretty low for a web series, this makes it extraordinary, I assume...&lt;/p&gt;

&lt;p&gt;The Remnants hasn&#039;t gotten sponsored because it doesn&#039;t bring anything to the table -- first, it&#039;s geared toward a demographic(mid/late 20&#039;s and up) that is not completely tuned into watching tv over the internet -- neither does it showcase anything that could possibly bring that demographic into the fold. Frankly, the reason these Hollywood types haven&#039;t had success with this yet, in terms of monetizing is they&#039;re using a model that&#039;s over 50 years old, thinking they&#039;ve created something new, when it&#039;s as stale as day old bread.  Most of the series I&#039;ve seen, seem to be looking for teenagers and early 20 somethings, I can&#039;t say that web series creators have done a great job at capturing the imaginations of this demographic, but at least this is a group that can&#039;t remember not having a computer -- that can&#039;t remember only having 3 channels of TV -- I suspect it&#039;s easier for them to take the leap - which is why all the sponsors want to jump on that bandwagon... hoping that it bears fruit.&lt;/p&gt;

&lt;p&gt;All in all, for the invested the Remnants is good content -- but really has most likely reached it&#039;s peak and has no where else to go --&lt;/p&gt;
]]></description>
		<content:encoded><![CDATA[<p>I personally think the main problem with most web series, including the Remnants, is they fail to take advantage of the unique capabilities of the medium &#8212; They all attempt to emulate the TV experience and bring nothing new to the table. The Remnants is no different&#8230; albeit John August is a fine writer and the pilot was entertaining, with a concept that had potential if it were to be aired on broadcast TV, but in the world of web tv, I didn&#8217;t find anything especially unique about it &#8212; except that it was well written, with decent actors, so what? &#8212; so since we set the bar pretty low for a web series, this makes it extraordinary, I assume&#8230;</p>
<p>The Remnants hasn&#8217;t gotten sponsored because it doesn&#8217;t bring anything to the table &#8212; first, it&#8217;s geared toward a demographic(mid/late 20&#8242;s and up) that is not completely tuned into watching tv over the internet &#8212; neither does it showcase anything that could possibly bring that demographic into the fold. Frankly, the reason these Hollywood types haven&#8217;t had success with this yet, in terms of monetizing is they&#8217;re using a model that&#8217;s over 50 years old, thinking they&#8217;ve created something new, when it&#8217;s as stale as day old bread.  Most of the series I&#8217;ve seen, seem to be looking for teenagers and early 20 somethings, I can&#8217;t say that web series creators have done a great job at capturing the imaginations of this demographic, but at least this is a group that can&#8217;t remember not having a computer &#8212; that can&#8217;t remember only having 3 channels of TV &#8212; I suspect it&#8217;s easier for them to take the leap &#8211; which is why all the sponsors want to jump on that bandwagon&#8230; hoping that it bears fruit.</p>
<p>All in all, for the invested the Remnants is good content &#8212; but really has most likely reached it&#8217;s peak and has no where else to go &#8211;</p>
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		<title>By: gstrompolos</title>
		<link>http://gigaom.com/video/is-there-life-left-in-the-remnants/#comment-467289</link>
		<dc:creator><![CDATA[gstrompolos]]></dc:creator>
		<pubDate>Fri, 23 Jan 2009 23:30:27 +0000</pubDate>
		<guid isPermaLink="false">http://newteevee.com/?p=16605#comment-467289</guid>
		<description><![CDATA[&lt;p&gt;Informative post. This truly is an example great content. However, there is a wealth of great content online and display advertising dollars are not infinite. Beyond the content itself, when it comes to up-front sponsorships and product integration, the producers who win those dollars will be the ones with the best distribution plan, coupled with a meaningful integration strategy which delivers real, measurable value for the brand. You need to think of your distribution as part of the storytelling process, and you need to make your brand a hero. Both of these key elements were largely missing from many web projects in 2007/2008.&lt;/p&gt;
]]></description>
		<content:encoded><![CDATA[<p>Informative post. This truly is an example great content. However, there is a wealth of great content online and display advertising dollars are not infinite. Beyond the content itself, when it comes to up-front sponsorships and product integration, the producers who win those dollars will be the ones with the best distribution plan, coupled with a meaningful integration strategy which delivers real, measurable value for the brand. You need to think of your distribution as part of the storytelling process, and you need to make your brand a hero. Both of these key elements were largely missing from many web projects in 2007/2008.</p>
]]></content:encoded>
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