Rhapsody exec: splashy ads and free streaming promotions don’t work
Rhapsody has some advice for its competitors Spotify and Rdio: Don’t invest in splashy ads. Focus on featuring your service instead. Read more at paidContent »
Rhapsody has some advice for its competitors Spotify and Rdio: Don’t invest in splashy ads. Focus on featuring your service instead. Read more at paidContent »
Rhapsody is taking the fight for music subscribers to Spotify’s home turf: The U.S.-based service is going to launch in 16 European countries this spring. Read more »
Rhapsody’s new Android app features a bit of a different take on content curation: The app keeps track of what you like to listen to at certain times of the day, and then suggests you those exact songs at the right time. Read more »
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Remember when Friendster was the hot social network, publishers doubted that ebooks would ever sell, and Netflix thought DVDs in red envelopes was the future? We do — that was that state of digital media when paidContent launched in 2002. Read more »
Chasing the post-download digital music opportunity, veteran services are seeking scale to fight dominant newcomers, whilst strangers from o… Read more at paidContent »
Music subscription service Rhapsody is going to Europe, but not under its own name. The company will use the Napster brand in the U.K. and Germany to compete with Spotify. The company announced the acquisition of Napster’s foreign assets three months after it bought Napster USA. Read more »
New entrants are pushing alternative business models in the music industry. Though this evolution will take time, the overall industry should return to growth within the five-year forecast horizon, as digital music spending, driven by subscriptions, will average double-digit yearly growth to total $4.1 billion in 2015. Read more at GigaOM Pro »
It’s taken ten years, and a last leg up by way of an acquisition of a competitor, but Rhapsody says that it has finally reached one million… Read more at paidContent »
As media and entertainment went digital, many looked to the music sector as the canary in the coal mine. Digital comprises over 40 percent of consumer sales, but the whole market was worth only $5.9 billion in 2010. Even digital felt stagnant. But that’s changing. Read more »
Connectivity changes everything. That’s the credo driving just about every corner of our day-to-day lives. As human beings, we are now connected to one another through not just our social networks but also our cars, the books we read, the albums we download and even our own health and wellness habits (to name just a few areas). With that in mind, GigaOM Pro has singled out certain areas in the technology industry where we see this shift to constant connectivity taking place most drastically. Read more at GigaOM Pro »
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It’s time to say good-bye to the cat: The announced acquisition of Napster by Rhapsody means that the Napster brand will cease to exist. Company’s staff will be laid off in December, its offices shuttered, and the future of its international operations is undecided. Read more »
Streaming music service Rhapsody is acquiring Napster’s subscribers and “certain other assets,” the companies announced today. Napster is cu… Read more at paidContent »
On-demand music service pioneer Rhapsody is acquiring Napster, the company announced Monday. The deal is just the latest example of how the rapid ascent of Spotify — which GigaOM called “the new Napster” back in 2009 — is shaking up the on-demand music space in a big way. Read more »
As our demand for data increases, so too do the number of mobile devices and services. Add to that the infrastructure needed to support such connectivity, and a wide, complex picture of the mobile industry emerges. This report examines the various sectors of the mobile landscape and what the future holds for each. Hardware, cloud services, mobile search, advertising, location-based services and the growing ubiquity of the Internet of Things will all play an important role in the concept of mobility as it shifts and evolves over the next several years. With the help of more than a dozen contributors, GigaOM Pro presents a comprehensive analysis of the companies and trends that will lead us into the next era of mobile. Read more at GigaOM Pro »
Mobile music has historically been a money pit for carriers. Delivering tunes over the network is a costly endeavor, and consumers are unwilling to pay a premium for accessing music on the go. So high-priced services have languished while users have turned to online streaming offerings ... Read more at GigaOM Pro »
Spotify’s journey to the US has been highly anticipated almost since the on-demand music streaming service first launched in its native Europe in October 2008. But with all the Spotify buzz, let’s not forget about the great music services that were born here in the US. Read more »
Last week Om broke a big story on Facebook’s plans for music. But is music Facebook’s next billion-dollar business? It will be hard for the company to cash in big on music. Here are three reasons why. Read more »
Pandora finally went public last week, and with its focus on radio, the company has a better chance for mass adoption than most other digital music services. While it may be losing money now, here are a few steps it could take to raise revenues. Read more »
Android device owners are singing a new tune this week with the addition of streaming music provider Rhapsody to the list of services available for download in the Android Market, and Android phone owners with Mac desktops can sync apps on them to their phones using DoubleTwist. Read more »
When it comes to mobile music subscription options, there’s already quite a few — Pandora, Slacker, and Thumbplay all come to mind. And now, Rhapsody joins the club on Google Android handsets with a new beta client available in the Android Marketplace. Read more »
Music subscription provider Rhapsody became an independent company, two months after RealNetworks revealed plans to cede majority control of the unit. Rhapsody, in which RealNetworks and Viacom now hold minority stakes, also slashed its monthly subscription price to compete with innovative rivals that have appeared recently. Read more »
At SXSW, Rhapsody introduced a new feature for its iPhone client — playlist music downloads for offline listening. The app is slated for submission soon, but there are at least three reasons why I think this tune won’t play. Read more »
If music subscription service Rhapsody hoped that adding a mobile component would turn around its fortunes, new numbers suggest otherwise. Rhapsody’s subscriber base dipped below 700,000 by year’s end, meaning that its mobile applications aren’t winning over new customers fast enough to replace cancellations. Read more »
Facing slow growth, eMusic and its owner JDS Capital Management are reportedly looking to sell to someone like Best Buy or Rhapsody (aka RealNetworks). But we think buying the company might be a good way for Spotify to get into the U.S. Read more »
The theory that mobile applications will boost interest in music subscriptions has its first test subject in RealNetworks’ Rhapsody, which released an iPhone app in early September that has since been downloaded more than half a million times. Most of those downloaders were non-subscribers testing out […] Read more »
Music blogging site MOG will soon introduce an all-you-can-stream music subscription service, placing it in direct competition with existing services Rhapsody and Napster. Expected to go live by Thanksgiving, the new service — called “All Access” — will provide ad-free streaming from a library of 5 […] Read more »
Mary Jo Foley reports on her ZDnet blog that Microsoft is seriously considering making Zune services, such as the subscription-based Zune Pass, available to other platforms — and that includes Apple’s very own Mac OS X. It’s early days though, as Foley admits, “There’s no guarantee […] Read more »
Rhapsody, the music subscription service, says its free iPhone application has been downloaded more than 330,000 times since its launch Sept. 9, making it the No. 2 music app in the iTunes store. But while that’s an enthusiastic display of interest in a fairly moribund music […] Read more »
Across the pond, our European neighbors have been enjoying Spotify for some time now. It’s only fair that Apple should continue on in that vein and approve Rhapsody for the American masses. Sure Rhapsody costs money and Spotify doesn’t, but it does present a very competitive […] Read more »
I was talking to an executive at a major label the other day. We were talking about startups and he noted that they either sue these companies out of business or legitimize them out of business. That is not far from the truth. How many legitimate, […] Read more »
The casual games space keeps getting more interesting. Digital media company RealNetworks said today that revenue from its games division rose 33 percent in the first quarter, to $31.8 million; the company also announced it will spin off its games properties, which primarily consists of cellphone […] Read more »
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