Dropbox this morning announced that it was buying Orchestra, the company behind the red hot Mailbox app. The question is how much did it pay for the Palo Alto-based startup with 13 employees. We have the answer. Read more »
In the latest indication that Node.js support is table stakes for all Platform-as-a-Service players, Engine Yard is adding support for the popular server-side framework as part of a trial program. Developers like to use Node.js because it supports JavaScript and is fast and scalable. Read more »
Last quarter we highlighted the fast maturation of the Platform-as-a-Service and big data spaces. Those two trends only picked up speed during the third quarter of 2011. Joining them on the cusp of IT greatness, though, are the OpenStack project and flash storage. The former gathered serious validation from big-name companies, while the latter saw less funding than last quarter but a significant number of product launches. Of course, the third quarter wasn’t all lollipops and rose petals. We saw new computing technologies and delivery models such as tablets wreak havoc on both HP and Cisco, and there are concerns (aren’t there always?) about how the Internet will handle our increased use of streaming video and cloud computing. Unfortunately for HP and Cisco, the latter problem might be an easier fix than the strategic woes facing them. Additional companies mentioned in this report include CloudBees, Rackspace, Engine Yard and Joyent. For a full list of companies, and to read the full report, sign up for a free trial. Read more at GigaOM Pro »
Platform-as-a-Service veteran Engine Yard is getting on board with the recent trend of multi-language support by acquiring Dublin, Ireland-based PHP PaaS startup Orchestra. An industry shift toward supporting more than one language and/or framework likely influenced the decision to close the Orchestra deal now. Read more »
Over in London, the experimental electronic music scene is positively flourishing. Having lived in the UK’s capital city for the latter part of 2008, I discovered a bubbling sonic subculture — a community of creatives hijacking ice cream vans, reappropriating medical EPGs, and hacking instruments out […] Read more »
