Waves of music labels are keen to join a recently-launched new platform that promises higher returns than big-name streaming services. But can Drip.fm, which charges the same for just a few tracks each month that Spotify does for millions, entertain users as well as owners? Read more at paidContent »
It’s hard to get more indie than a show shot on $300 by a team of three friends, and thus give the crown to this five-episode drama, which features great cliffhangers and a cool polish that’ll appeal to any Bannen Way fan. Read more »
When Apple revealed its documents and templates detailing the process of creating iTunes LP and Extras for small studios and indie artists to take advantage of, it also noted that for the time being, submission would be manual, but that automated electronic submission was on its way. […] Read more »
Apple said it was going to allow independent content producers open access to the tech and process behind iTunes LP and iTunes Extras, and it has done good on that promise, as TUAW reports. Today Apple has created a dedicated page on its website that offers […] Read more »
OS X has long been labeled the platform for “creatives,” though in recent years it’s finally becoming known for more than that. Adobe’s Creative Suite is generally regarded as the crown-jewel of digital design, and they’re priced to match. So what if you’re a cash-strapped creative […] Read more »
This must be “Update iTunes Content” week at Cupertino or something, because Apple keeps making changes to the music player. First it introduced iTunes Pass, which provides superfans with heaps of exclusive content released on a staggered schedule over a brief subscription period, and now it’s […] Read more »
For many filmmakers, the festival circuit is the first, last and only place their work is ever shown. But a new endeavor from Cinetic (rhymes with “kinetic”) Rights Management wants to prove there’s a digital life for all the films that don’t land theatrical distribution deals. […] Read more »
