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They turned the entertainment world upside-down with KaZaA, revolutionized voice communications with Skype and eventually gave up on their w…

Zennstrom and Friis

They turned the entertainment world upside-down with KaZaA, revolutionized voice communications with Skype and eventually gave up on their web TV ambitions through Joost.

Now serial entrepreneurs and investors Niklas Zennstrom of Sweden and Janus Friis of Denmark are trying again to disrupt the music business. They have funded and are launching a new subscription music service dubbed Rdio, funded by Atomico Ventures.

NYT reveals the “secretive startup”, has offices in LA and San Francisco, “is hoping to introduce a music subscription service by early next year that offers seamless access to music from both PCs and cell phones“. Rdio is seeking label deals and even has a CEO, Drew Larner, who notes the disdain with which the labels regarded the once-renegade P2P app KaZaA in yesteryear: “The ironies are very interesting.”

No word on whether Rdio will re-deploy the same kind of P2P network that has made Zennstrom and Friis famous. The pair first developed the Global Index distribution system for KaZaA, then used a variant to underpin Skype’s communication backbone. Then they thought their could make online video delivery more efficient using Global Index, so started Joost under the codename The Venice Project.

But Global Index is currently the center of an acrimonious and complex legal dispute involving Zennstrom, Friis and Skype, now owned by eBay (NSDQ: EBAY), which licenses the distribution mechanism, which is key to Skype’s functioning, from the pair’s Joltid holding company. They accuse former Joost CEO Mike Volpi of pilfering the system’s intellectual property when he left Joost for Index Ventures, the VC house that is now becoming a part-owner of Skype in eBay’s sell-off.

Even if Rdio relies on Global Index, the legal mess won’t necessarily hold up the startup’s development. In fact, given that 90 percent of digital music consumption is illegal, Rdio may do well to embrace P2P even further, offering the service as paid access to a KaZaA- or Pirate Bay-like distributed file repository, in the same way the company behind the failed Bay buyout attempt had optimistically hoped.

Either way, with momentum amongst music labels clearly swinging behind the monthly subscription model, Rdio will find the space already populated by Pandora (which doesn’t offer on-demand), Napster and, most significantly, Sweden’s well-thought-of Spotify, which was planning a Q3 or Q4 U.S. launch and itself uses a form of P2P distribution.

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  1. We are the team of inventors behind US Patent 7,089,319 issued in 2006 titled "Method and system for instantaneous on-demand delivery of multimedia content over a communication network with aid of content capturing component, delivery-on-demand client and dynamically mapped resource locator server".
    We introduce "Skype-killer" application, with new innovative "Internet broadcasting" functionality, as well as unmatched web browser centric cross-platform, cross-device reach. We will be able to compete on VoIP signal quality, innovative "Orbing" (P2P live and pre-recorded video broadcasts by individuals), as well as lower cost base. Skype is facing multiple litigations and is about to either be shut down permamently, or enter very expensive settlement arrangements. Plus, Skype is not is control or ownership of Global Index technology, the node forming augmentation of delivery system which they push to each user computer.
    We are actively pursuing venture capital. Please visit http://www.skypeishype.com for more detail.

  2. For such bright minds as these I would have thought they would correlate this with impossible-to sustain streaming services that come and go and consistently fail in the face of music industry greed. The music content gatekeepers are NOT going to play ball unless they bleed any prospective service providers dry. What needs to happen is a paradigm shift … Cut out the middle men. Im trying to formulate a new model to put consumers and service providers in touch with artists who are rights holders to begin the ground swell needed to kill the obsolete middlemen.

  3. Funn Networks has them all beat. Emerging from stealth real soon. IP filings dating back to 2000. Development and stealth since 2002. The world is evolving into Funn. Thank goodness :)

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